Tom Kim

Entries categorized as ‘Education’

Two Million Minutes of the Pressured Child

December 20, 2007 · 3 Comments

Last week my neighbors invited me to join them in listening to a guest speaker at their child’s school. As I walked into the gymnasium where he was speaking, I knew I had heard his spiel once before, as a faculty message at my own school.

Michael Thompson is known for his books on child psychology and development, including Raising Cain and The Pressured Child. Indeed, his talk was about the Pressured Child and how parents needed to step out of their careerist schema of school to consider how their children saw and approached school. He gave some very effective illustrations on how mind-numbing and oppressive the school schedule is (“Would you accept a job that doubled your salary but required you to sit through six meetings led by other people every day?”) and how most kids don’t bother competing academically (“After a couple of years, it becomes clear to everyone which two or three people in the class have a chance at becoming valedictorian at the end.”)

He argues that what kids are interested in is development — growing up. As Seinfeld has said in one of his stand-up routines, kids are all about “up.” They want to get bigger, faster, more independent, more cool, more popular, more respected. Makes sense to me — and it’s something that I probably ought to keep in mind as I consider how I can corral my students’ attentions.

Thompson compared school to a long hike — like the Appalachian Trail — something that any able-bodied person is able to do, though at varying speeds, wills, and temperaments. Only a few relish the experience; they have, as he puts it, good fitting shoes. What parents need to know, he stressed, was that they could never fully understand what that experience is like for their children — that the most they could hope is to stand a quarter-step behind their kids along the journey.

He ended his talk by suggesting that parents should gauge whether their children are receiving three things from somewhere in their school: connection, recognition, and a sense of mastery. Beyond advocating for those, he argues, parents can’t, and shouldn’t, do much more.

What’s interesting is just before my neighbors called me up to invite me over to Michael Thompson’s lecture, I was looking at the following trailer for the documentary, Two Million Minutes:

And now you have the strongly persuasive message that our children are not pressured enough, that Michael Thompson’s position is a luxurious one from a position of isolated privilege — a position that seems more and more delusional as the rest of the world claws its way faster and faster to overtake America’s first-world status.

This is a very real tension that I constantly face, both as a teacher, and as a new parent. One side holds up in empathy the interior experience of the individual. It argues for an ecumenical valuation of skills and strengths that defies clear-cut standards of achievement. It prioritizes, instead, holistic well-being and happiness.

The other side holds up the consequences of social expectations and marketplace competitions. It stresses the conformity needed to practically convert private assets to public value. It acknowledges the obeisance one must give to political reality, and prioritizes strategic mobility within that reality.

Overemphasize one side, and one is in danger of coddling children past granularities of meaning and fostering resignation or entitlement to their station in life. Overemphasize the other, and one risks a soulless oppression that encourages cynical ambition.

Framing this dilemma as a tension between two sides makes it sound like what is needed is balance, a compromise. Make sure our schools don’t neglect standards and a commitment to excellence. At the same time, make sure they remain flexible and empathetic to individual student needs. That sort of thing.

Upon reflection, though, I don’t think that’s right. What we have here is not so much a spectrum, but a prism — these two positions are different facets of the same problem. Consider how they both express an anxiety about “the other”. One position ignores it, distancing itself from the systemic inequality and suffering that it is ultimately the beneficiary of. The other position fears it and actively works to maintain that very system. Both are working from a position of self-interest and self-absorption — or, more kindly, self-preservation. One can see why illegal immigration is such a thorny issue in America right now.

As the son of immigrants I remember constantly being goaded to work harder, study more, get better grades. I was pressured to go to the right college and get into the right profession. I remember thinking that my parents just didn’t get America — at least the America I was observing and experiencing. I could see for myself that success wasn’t necessarily achieved in one dogmatic dimension. I got the notion that one might achieve more success simply by following one’s bliss, that with a little luck and hustle everyone ends up all right. I wonder now if we both missed the point. What do I tell my own child?

Categories: Education

Notes: Podcamp Philly

September 15, 2007 · 3 Comments

Cool People I Met

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  • Joel Mark Witt
  • Bre Pettis
    • BrePettis.com includes links to all his current videocasts, including Make Magazine’s Weekend Projects
    • Bre used to be a middle school teacher out in the Northwest: Room 132
  • The blogs of Philadelphia public schools: Didn’t even realize they had a blog program
    • Robert Karl (rkarl at phila.k12.pa.us) is part of the Educational Tech Group of the Philadelphia public school system and seems like a good resource for ed tech issues
  • Rand Bradbury
    • Can I just tell you that this guy, who’s a sound engineer for the Keswick Theater, is the best technical instructor I have ever encountered? Things that eluded me in books for years have now made perfect sense because of his brief explanations. Rand rocks.
    • Roadie Show: A podcast that mostly features interviews with roadies and other backstage audio folk.
  • CC Chapman
    • CC Chapman’s site has links to a number of podcasts that he’s involved with, including Managing the Gray (a new media marketing podcast), Accident Hash, and U-Turn Cafe (podsafe music podcasts)
  • Linda Mills
  • Mark Blevis
    • Another of the growing crop of new media specialists, his site is an impressive testament to his connectedness and reach within the podcasting community
    • Just One More Book: podcast on children’s books
    • Electric Sky: Several NPR-like interviews and exploration podcast shows
  • David Tamés
    • kino-eye: David’s a freelance videographer from Boston. His blog’s got some good technical ruminations on producing video.
  • Jen Yuan
    • A Thousand Times No is an interview podcast focusing on people who underwent a significant change or overcame devastating failure. Jen’s local, too, and really nice.
  • Russ Starke and Todd Marrone
    • Both contribute to Used Wigs Radio, a chat and music podcast that seems like a lot of fun. Todd’s also an amazing artist who made several art pieces for the podcamp off the cuff.
  • Chris Penn
    • Helped start the podcamp conferences with Chris Brogan. He has a financial advice podcast at financialaidpodcast.com
  • Steve Lubetkin
    • I met Steve at Blog Philadelphia, and he’s the one who let me know about Podcamp Philly. He has a company that creates professional podcasts for clients at ProfessionalPodcasts.com

Lessons Learned: Technical

PodCamp Philly

  • Audio is super important, even on video

    • Mics

      • Dynamic: non-powered, durable, more background noise, best for field work

        • Recommended: Shure-SM58
        • Have the speaker hold it 3-5 inches from the face, between the mouth and the adam’s apple
      • Compressed: delicate, need to be powered (phantom power off mixer), best for studio work
      • Mic setup for a classroom: 2 condensers, omnidirectional, up high
    • Mixer

      • firewire mixer (for multiple inputs)

        • Recommended: Alesis 4/8-channel mixer (Multimix)
      • master
      • channels
        • gain

          • start at 0, then slowly turn gain up until peak light just starts to light up and then back off a few clicks
        • EQs
          • start at straight up and down
          • adjust after gain (turn down if high pitch, ss’s)
          • generally leave mids alone
        • aux
          • for effects or monitors
    • Standard sample rate for podcasts: 44.1 kHz
    • CD standard bit-depth: 16
    • Put your notes in a plastic sleeve so that they don’t make a sound when you flip through them when recording
    • Always record 10 seconds of white noise
      • For ambient filler when you edit
    • Recommended store for audio gear: Musician’s Friend
    • Also recommended as a place to buy a low-end binaural stereo mic ($80): Core-Sound
    • skype
      • Turn everything else off
      • Record volume at 70 (3/4 of way up — never record at full input)
    • Recommended portable digital recorders
      • Edirol R-1, Edirol R-9, Zoom H4, M-Audio Microtrack 24/C
      • A lot of these are reviewed in the latest issue of Podcast User Magazine
      • Also seriously informed opinions can be found at the Tapers’ Section
      • What looks sweetest to me: the new Zoom H2
    • Other equipment you might need to record audio on the field
      • headphones
      • spare memory
      • spare batteries
        • rechargeable + charger
      • USB memory reader
      • case for recorder (Crumpler)
      • extra wind covers for mic
      • extra laptop battery
  • Video considerations
    • Lighting

      • Basic setup: key light + soft fill
      • add hard background if you want to distinguish foreground and background
    • shoot subject more than once in two different locations
      • before the formal interview do a pre-interview
      • people are more natural when walking and talking in their own environment
    • Ask people not to wear white or black when filming them (especially without added lighting)
      • because the face comes first
    • Make sure you have visual elements that you can cut away to
      • B-roll
    • Make sure there’s a lot of overlap at the head and end of the cut
    • Shoot from multiple angles
      • use two cameras if you can
    • Look for color
      • strong contrasts
      • saturated, rich colors
    • Sound
      • keep microphone separate from camera
      • if you can use, use a boom
      • get a tram lavalier
    • What to buy first
      1. $400 camcorder w mic input, headphone output
      2. $200 shotgun mic + fan windsystem
      3. $150 lavelier mic
      4. $150 beachtek adapter
      5. $50 extra batteries
  • Make everyone sign a standard release form for podcasting
  • Garageband (comes as part of iLife) makes enhanced podcasts real easy
    • Profcast (commercial software) makes recording lectures even easier and more powerful

Lessons Learned: Non-Technical

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  • Don’t be afraid to get help from people
    • Podcasting community tends to be very helpful
    • Get someone to teach you
    • Or delegate to someone who has the passion, expertise
  • Know your audience
    • Consider what audience you might already have
    • Involve them
    • Get face-to-face with them when you can
  • Old-school storytelling techniques still apply
    • Go for anecdotes instead of just facts
    • Look for dramatic/cinematic moments
  • Create a rhythm
    • Make sure you add variety, break the pattern at frequent intervals
  • Plan to do multiple takes with students
    • Often the best, most natural takes are the “practice” ones
    • Tell the students to plan to make a mistake
  • Interviews
    • Don’t be in a rush to fill silences; pauses can extend conversations
    • At the end ask for any afterthoughts
      • What haven’t I asked you?
  • Contribute, don’t dictate, the conversation
  • Make mistakes on purpose, or take a confrontational stance, to catalyze feedback
  • Be a brand; sell a lifestyle
  • Consider other distribution channels
    • Example: Maryland Zoo TV gets shown on cable
    • Mind TV is a Philly site that will show uploaded 5-minute video clips on cable.
  • Apply for grants
    • Example: Best Buy > Community Relations > Grant (given once or twice a year)

Sites of Interest that Came Up

Red Lasso allows you to clip commercial media (news, entertainment, sports) and share and embed them without intellectual property violations. This seems like a great way to share current media with my classrooms. And it’s a local King of Prussia company.

Viddler allows you, not only to upload videos and share them, but also comment on them within the timeline of the video. A very cool feature and another great local company. I just wish they were supported by WordPress.com.

Bre Pettis gave a great tip for doing 30-second low-tech podcasts: Use K7.net, which is a free service that sends voice messages to your email. The phone numbers seem local only to Seattle, though. PrivatePhone seems like another free alternative — it’s affiliated with NetZero. ureach.com or (GotVoice)(http://gotvoice.com) are paid services that also do the same thing (with more features).

Pods & Blogs is a BBC-produced hour-long weekly podcast that takes measure of the news as seen through the lens of social media and the blogosphere.

Sound About Philly features podcast tours of Philly.

One way to announce your podcast to strangers is to add it to Podcast 411’s directory. I also found out about a UK podcast directory for educators

Somebody recommended the CLIP Podcast as an interesting show that looks at critical literacies in different spaces.

Libsyn came highly recommended as a paid podcasting host. They charge by storage and not by audience size, so they’re ideal for growing an ever expanding listener base.

From Idea to Air is Tod Maffin’s e-book on creating and pitching radio segments to public radio.

Radio: An Illustrated Guide is an informative comic book on producing for radio, which can be bought on the This American Life store.

Categories: Blogging · Notes

Cub in Class

September 13, 2007 · No Comments

I invite the curious to check out my class wiki at cubinclass.pbwiki.com
and my class blog at cubinclass.wordpress.com.

I also post my keynote slideshows and video tutorials (which can be see in on the blog) at blip.tv: cubinclass.blip.tv.

Categories: Blogging · Education · Teaching

Pre-School Meetings and Year’s Themes

September 8, 2007 · No Comments

Before I yadda yadda on the first week of school, I want to backtrack and quickly cover the week before the first week of school. We had three days of meetings which covered everything from general announcements to summer book discussion groups.

Most importantly, though, the head of school and director of the middle school each gave us annual themes to consider.

The theme of the year for the entire school is stewardship. Here’s a quote re stewardship in Quakerism:

Stewardship is a coming together of our major testimonies. To be good stewards in God’s world calls on us to examine and consider the ways in which our testimonies for peace, equality, and simplicity interact to guide our relationships with all life.

(Faith and Practice, p. 80)

This theme was repeated at an all-school assembly at the beginning of the school year, and the emphasis was on “taking care” — taking care of ourselves, each other, the environment, the Environment, and the world in general. The new head of our school shared the example of Shel Silverstein’s The Giving Tree, in which a tree selflessly gives himself to a boy — indeed lives to serve the boy.

At the divisional meetings, the new director of our middle school shared with us, as she was to share again with the entire middle school later on, an anecdote from her travels in Kenya.

Her proposed theme was “Crossing the River,” and she relayed this story about being stuck in a very uncertain situation in the middle of Turkana where she and the bus she was traveling on were stranded in a queue waiting to cross a river that got too high. She reflected on how this might teach us about accepting the community we are given at any one moment, taking positive risks, offering and receiving trust, and helping one another without judgment.

In the faculty meeting for worship I considered the connection between the two themes. Both, to me, seemed to consider how one manages, or copes with, an environment that is changing beyond one’s control. As the river rises, or the ice floes melt, or the kids seem incomprehensible, what do you do? Certainly, too, it seems my new bosses are meditating on the leadership they want to impart to the school, and they are asking us all to renew our consideration of our own responsibilities and the leadership of our own charges.

Stewardship has a very specific meaning in my own faith. It has to do with the grace of responsibility — the privilege of being entrusted with a domain to oversee and nurture. One often thinks of the parable of the talents, where three servants are given a sum of money to manage. The immediate moral lesson seems to ask whether you squander, neglect, or invest in what you’re given. But I find the real lesson is giving proper attribution to the original owner of those gifts — and proper value to the gift itself. When it’s time to “settle accounts” have you realized what you were entrusted with and from whom?

It’s good practice to take care. It will enable you handle a shifting world thoughtfully and conscientiously. But you are truly transformed when you actually do care — when you own with awe, which is to both engage and yield.

Categories: Education · Teaching

Yearly Reflection

September 7, 2007 · 2 Comments

Reflect on your teaching this past year. Please include the goals you set for yourself in your last reflection or evaluation and comment on how you made measurable progress towards meeting each goal.

Last year I focused my goals in three areas:

  • Becoming more organized and efficient in assessing, tracking, and following through on student performance.
    • I followed through on developing a personal database to support my personal habits of grading and planning — though not without technical hiccups. Nevertheless, I believe I became more prompt in generating grade reports and follow-up for students.
  • Incorporating technology in the classrooom, specifically through blogging.
    • My ambitious plans for 7th grade blogging fell by the wayside as I struggled to juggle side issues of technical instruction with the curricular schedule. Nevertheless, the 8th grade did manage to use blogs meaningfully as a proxy for literature circles in their Book Review unit. Lots of valuable lessons learned.
  • Strengthen my extracurricular obligations: the Literary magazine and the Robotics Club
    • I experimented with a middle school blog for the literary magazine. Once again, there were many valuable lessons learned — including a spam attack that forced the deletion of the site.
    • The Robotics Club did take on a more formal, rigorous structure and followed a set curriculum. What we did not do that I wished we had is visit competitions and proactively plan to move the club to be more ready to engage such activities.
    • I also oversaw the Computer Academy, which was a more free-form, exploratory extracurricular activity that covered a variety of technological topics.

Please outline your goals for the 2007-2008 year.

What are your specific professional goals for the following year? How do you plan to pursue these goals? How will you assess your progress towards these goals? What can the school do to help you make progress towards your goals?
I’d like to focus this year on successfully incorporating blogs as a fundamental part of my English instruction. I’m going to make blogs a more fundamental tool to my English classes throughout the year and gradually improve fluency in the medium in scaffolded stages of instruction. I’d be happy if I stick through using blogs throughout the school year. I’d be happier if students develop fluency in posting and commenting on their blogs. The professional space to work out the kinks in pursuing this kind of instruction. Facilitating the means to attend conferences.
As the leader of the 7th grade English partnership, I’d like to redefine and expand the Immigrants in Philadelphia Neighborhoods Project. I’d like to vigorously pursue conversations and partnerships to clarify the vision and possibilities of the IPN project. The parameters and partnerships of the IPN project should be concretely defined with specific means of further development. The project should also be more organically integrated with the rest of the English curriculum. Time to regularly meet with my 7th grade English partner.
I’d also like to redefine and expand the Robotics Club and the literary magazine. I’d like to decide, and strategically pursue, a competitive direction for the Robotics Club. I’d also like to transform the middle school blog into a web site of citizen journalism that’s relevant and meaningful to the student body. The Robotics Club this year should have visited several competitive events, explored different competitive options, and decided upon an actionable plan to pursue. I’ll consider the literary magazine successful if it draws out the attention and interaction of the middle school student body. A clearer idea of the budgetary parameters of the Robotics Club. Time and transportation for the entire club to visit competitions.

How do you see your own professional development goals intersecting with the institutional goals of Quakerism, diversity, and technology?

Blogging, in particular, addresses all three dimensions:

  • it is a technological medium for communication and community
  • it provides an alternate means of expression and instruction than is normally available in the classroom
  • it can facilitate ecological stewardship (paperless office), reflective practice, and consensual collaboration

Categories: Blogging · Language Arts · Teaching

Isabella

August 31, 2007 · 4 Comments

Went to see Isabella, an adaptation of Shakespeare’s Measure for Measure by the Pig Iron Theater Company as part of the Live Arts Fringe Festival. Pig Iron is probably the most esteemed regular of the Fringe Festival, Philadelphia’s performing arts and experimental theater festival, and they’re known for intricate shows that have evolved from physical improvisation. This is, I think, the first time they’ve worked from an established play.

I’ve never see a Pig Iron production before, and I’ve always wanted to — so when I heard they were doing a Shakespeare adaptation, I made sure I bought tickets for Dana and I. Then last night I noticed that the latest podcast from Radio Times was an interview with the director, associate designer, and lead actor of the play. How cool, I thought, and looked forward to listening to the interview on my morning commute.

I nearly fell off my bike laughing this morning when I listened to the podcast and realized that 1) the play was going to be staged as the fantasy of a lonely coroner getting carried away with the corpses in his care and 2) most of the actors were going to be nude…naked. What’s more appropriate here, nude or naked? Necrophilia as comedy — I should have known. Now I’m just waiting to see how Dana will react when she realizes what’s going on. Too awesome.

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Categories: Education · Philadelphia · Shakespeare · To Do

Moving in Mysterious Ways

August 30, 2007 · No Comments

An excerpt from “Good Teaching: A Matter of Living the Mystery” by Parker Palmer

Good teaching is an act of generosity, a whim of the wanton muse, a craft that may grow with practice, and always risky business. It is, to speak plainly, a maddening mystery. How can I explain the wild variety of teachers who have incited me to learn — from one whose lectures were tropical downpours that drowned out most other comments, to one who created an arid silence by walking into class and asking, “Any questions?”

Good teaching cannot be equated with technique. It comes from the integrity of the teacher, from his or her relation to subject and students, from the capricious chemistry of it all. A method that lights one class afire extinguishes another. An approach that bores one student changes another’s life.

Faculty and administrators who encourage talk about teaching despite its vagaries are treasures among us. Too many educators respond to the mystery either by privatizing teaching or promoting a technical “fix.” The first group uses the variability of good teaching as an excuse to avoid discussing it in public — thus evading criticism or challenge. The second group tries to flatten the variations by insisting on the superiority of this or that method or subtlety. In both quarters, [?] the far-ranging conversation that could illumine the mystery when we think of it as a “black box,” something opaque and impenetrable that we must either avoid or manipulate by main force. Mystery is a primal and powerful human experience that can neither be ignored nor reduced to formula. To learn from mystery, we must enter with all our faculties alert, ready to laugh as well as groan, able to “live the question” rather than demand a final answer. When we enter into mystery this way, we will find the mystery entering us, and our lives are challenged and changed.

Good teachers dwell in the mystery of good teaching until it dwells in them. As they explore it alone and with others, the insight and energy of mystery begins to inform and animate their work. They discover and develop methods of teaching that emerge from their own integrity — but they never reduce their teaching to technique.

Categories: Blogging · Education

Role of the Educator in a Friends School

August 30, 2007 · No Comments

The new director of our middle school shared with us this article.

“Role of the Educator in a Friends School” — developed by the participants of “Educators New to Quakerism,” Winter, 2000

  1. To be an authentic role model.
  2. To guide, nurture, and enrich the mind and spirit of children.
  3. Peaceful listening.
  4. Patience.
  5. To use silence — to allow the student time to think and reflect.
  6. To know yourself and to bring that self to the classroom.
  7. To be fully present.
  8. To think about other people.
  9. To take the time to see the spirit in every child.
  10. To make the students accountable for their actions.
  11. To seek the “Truth” and to take joy in the seeking.
  12. To honor your own integrity.
  13. To remember learning takes place in laughter, too.
  14. This is all one moment in the life of a child.
  15. To trust in your students’ abilities and in your own.
  16. To model and encourage leadership as service among students, teachers, and staff.
  17. To question, reflect, discuss, question, reflect, and discuss.
  18. Actively look for ways to express Quaker testimonies and beliefs in the curriculum.
  19. To acknowledge and appreciate commonalities and diversity among students, family, and staff.
  20. To demand of myself what I expect of others — trust, passion, commitment, love, justice, and equality.
  21. “Education is an exercise of hope; equity is an act of courage.”
  22. To live and teach through the eyes of a child.
  23. Accept the mystery.
  24. To focus on process above outcome.
  25. To help children understand that one must fall in order to get to the next step. Mistakes are OK.
  26. To encourage bias awareness and bias busting.

Categories: Education

Eye of the Tiger: On the Holo-Deck

August 24, 2007 · 2 Comments

Now let’s consider what I dare to envision the actual classes to be like.

Blah Blah Blogs

For me, Language Arts is fundamentally about improving the quality of input and output. I guess that could be true of most subjects, but English emphasizes the medium of language. Everything in my class is about improving comprehension and literacy on one end and communication and expression on the other. I take comprehension to mean basic fluency in language and normative understandings of literal meanings. Literacy is a more sophisticated affair involving the critical discernment of meaning and context within a specific genre of communication. I take communication to mean articulate conveyance of intended meaning. Not necessarily easier or harder, but different, is creative self-expression which, for my purposes here, I’ll say involves employing rhetorical techniques to unexpected or ambiguous effects that somehow seem aesthetically or emotionally truthful.

Now most English teachers, myself included, generally teach these four areas as distinct skill sets. We read a text bit-by-bit, all the while going over major events and characters, perhaps tossing in a few pop quizzes. We then have our wonderful discussions about what the book is really about and go over themes and motifs. We have lessons on how to write the five-paragraph expository essay and include essay prompts with our multiple-choice tests. Finally, we assign a project, perhaps involving some creative writing or a small-group presentation. Vocabulary and grammar are sprinkled throughout as a kind of close study of the medium itself at its finest granularity.

This is not a bad way to go, and it’s worked for me for the past few years. I teach specific skills that fall under the broader ideals of my discipline. I cover the stuff that everybody else will continue to recursively cover, like a spiraling Babel to the heavens. Slowly and surely, brick-by-brick, most students handle inputs better and produce better outputs. At least in institutionally required ways.

But I think I may be missing an opportunity here. The literary texts we study are artifacts and models of these processes. They themselves “read” life and culture and then challenge us with newly artful levels of technique and meaning. They give us not only the occasions, but also the examples, to learn the communicative strategies they employ — so that we can understand and do the same. All writers start as readers — and students of what they read — and then at some point decide to jump into the conversation.

Conversation. Because what’s missing is what’s between the input and the output. The urge to respond, to engage. It’s the grail of all communication, including teaching; you want to say something that effects a change. You want to add something to the transcript that has a bearing on what follows after you. You want to be slashdotted, dugg, and deemed del.icio.us.

You might see where I’m going with this. I’ve been trying to incorporate blogs into my classroom ever since I was hired at this school — usually with fairly piddling results. They seemed so perfect in addressing the shifting literacies of our culture with their power to publish and interact, and yet they never found a comfortable fit with everything else I had going on.

But I’ve been re-thinking my entire approach, and I think I’m getting close to being able to articulate a new model, one that I hope will get me closer to the fundamental aims of my calling.

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Categories: Blogging · Summer preparation

Dear Diary: Students slip me a little something under the table

December 13, 2006 · No Comments

Yesterday I received a holiday gifts from students. I was humbled.

Señor Calvo was gracious enough to read the following Pablo Neruda poem in class:

El pie desde su niño

by Pablo Neruda

El pie del niño aún no sabe que es pie,
y quiere ser mariposa o manzana.

Pero luego los vidrios y las piedras,
las calles, las escaleras,
y los caminos de la tierra dura
van enseñando al pie que no puede volar,
que no puede ser fruto redondo en una rama.
El pie del niño entonces
fue derrotado, cayó en la batalla,
fue prisionero, condenado a vivir en un zapato.
Poco a poco sin luz fue conociendo el mundo
a su manera,
sin conocer el otro pie, encerrado,
explorando la vida como un ciego.
Aquellas suaves uñas de cuarzo, de racimo,
se endurecieron, se mudaron
en opaca sustancia, en cuerno duro,
y los pequeños pétalos del niño
se aplastaron, se desequilibraron,
tomaron formas de reptil sin ojos,
cabezas triangulares de gusano.
Y luego encallecieron, se cubrieron
con mínimos volcanes de la muerte,
inaceptables endurecimientos.

Pero este ciego anduvo sin tregua, sin parar
hora tras hora, el pie y el otro pie,
ahora de hombre o de mujer,
arriba, abajo, por los campos, las minas,
los almacenes y los ministerios,
atrás, afuera, adentro, adelante,
este pie trabajó con su zapato,
apenas tuvo tiempo de estar desnudo
en el amor o el sueño, caminó,
caminaron hasta que el hombre entero se detuvo.
Y entonces a la tierra bajó y no supo nada,
porque allí todo y todo estaba oscuro,
no supo que había dejado de ser pie,
si lo enterraban para que volara
o para que pudiera ser manzana.

Mossy feet

To the Foot from its Child

by Pablo Neruda; translated by Alastair Reid

The child’s foot is not yet aware it’s a foot,
and would like to be a butterfly or an apple.

But in time, stones and bits of glass,
streets, ladders,
and the paths in the rough earth
go on teaching the foot that it cannot fly,
cannot be a fruit bulging on the branch.
Then, the child’s foot
is defeated, falls
in the battle,
is a prisoner
condemned to live in a shoe.

Bit by bit, in that dark,
it grows to know the world in its own way,
out of touch with its fellow, enclosed,
feeling out life like a blind man.

These soft nails
of quartz, bunched together,
grow hard, and change themselves
into opaque substance, hard as horn,
and the tiny, petalled toes of the child
grow bunched and out of trim,
take on the form of eyeless reptiles
with triangular heads, like worms.
Later, they grow calloused
and are covered
with the faint volcanoes of death,
a coarsening hard to accept.

But this blind thing walks
without respite, never stopping
for hour after hour,
the one foot, the other,
now the man’s,
now the woman’s,
up above,
down below,
through fields, mines,
markets and ministries,
backwards,
far afield, inward,
forward,
this foot toils in its shoe,
scarcely taking time
to bare itself in love or sleep;
it walks, they walk,
until the whole man chooses to stop.

And then it descended
underground, unaware,
for there, everything, everything was dark.
It never knew it had ceased to be a foot
or if they were burying it so that it could fly
or so that it could become
an apple.

Categories: Dear Diary · Education